Wet Plate Workshops


From the Wet Plate Collodion Forum, I learned that Quinn Jacobson is thinking about holding a wet plate workshop webcast on Skype.  This would be geared to those who might not have the time to travel long distances to attend a workshop and would be interactive so that participants may ask questions in real time.  You can contact Quinn by email if you’re interested:  quinn@studioQ.com or (better) through a form on his website.  He moderates the forum as well; but you will need to register and be approved before you can post any comments.    

 

Quinn Jacobson

             

First, the most important thing is that this would be interactive. In other words, participants would be able to ask questions and make comments. I think I can have up to 24 people on a Skype feed.

 Secondly, the participants would be able to SEE everything from making chemistry, pouring plates, making exposures, development, varnish, etc. and see all of the equipment and details. I’m even thinking about doing a feed from my dark room or dark box to show development techniques and how to judge properly exposed images.

This would be designed for people who can’t get to a workshop but have access to Skype and a high-speed internet connection. I would offer my workshop guide (PDF) and participants could follow along as I show my techniques on making chemistry, flowing a plate, making an exposure, developing a plate,  and varnishing a plate.

So, if you have any interest in something like this, or know someone who does that can’t get to a workshop but wants to see the process and learn how to make the chemistry, please let me know.

I haven’t figured a cost for it yet, but it will be very affordable to “attend”.  First things first, in that order, I need to see if there is any interest and secondly, find a good date/time to do something like this. Remember, I’m on Central European Time (CET) and need sun to make images, so it would have to be a Saturday or Sunday beginning at 0800 or 0900 and would probably last several hours.

Just throwing this out there, your thoughts are appreciated. 

 

                                                                                                                          — Quinn

 

During the last year, I have been learning historic and alternative photographic processes.  This May I participated in a wet plate collodion workshop with  John Coffer on his farm – Camp Tintype – in Dundee, NY.  Coffer is a master wet plate photographer and is widely credited with helping to revive this labor intensive and beautiful process in an era that is overwhelmingly digital.  

Collodion was first used in photography in 1851 by Frederick Scott Archer. He found the composition of collodion – nitrocellulose, ether and alcohol – to be ideal for suspending silver nitrate on a glass plate and allowing a latent image to form when exposed to light. Wet plate was the primary photographic process in use until the early 1880s, when commercially produced dry plates became the standard.

 

Tintype by Bryan Hiott (2008)

Tintype by Bryan Hiott (2008)

 

Coffer’s intensive three-day workshops, limited to four students, are geared to photographers who want to make glass negative images in the field, as Mathew Brady’s photographers did during the Civil War, in addition to other plate types derived from the original collodion process: positives (ambrotypes) and tintypes (ferrotypes). The workshop also includes an overview of historic cameras and lenses, the chemistry associated with the wet plate process and methods for albumen printing, the primary photographic printing process of the late 19th century.

 

Ambrotype of John Coffer by Bryan Hiott (2008)

Ambrotype of John Coffer by Bryan Hiott (2008)

 

In the wet plate process, collodion is poured (flowed) onto a plate of glass or tin; and the solvents must be allowed to evaporate enough to form a slight “skin.”  Then the plate is taken into the darkbox and immersed in a bath of silver nitrate.  Haloids in the silver nitrate will adhere to the collodion and render the plate light sensitive and ready for exposure.  The sensitized plate must be placed in a light proof holder and attached to to the back of an an already positioned and focused view camera.  The exposure is made by removing a metal insert from the plate holder and then – for those working with period lenses – removing the lens cap, allowing light to strike the plate.  

Exposure times are measured in seconds and, in some cases, minutes.  After the exposure is made, the plate must be developed in the darkbox within a matter a few minutes to produce an image.  The plate is then rinsed, fixed with sodium thiosulfite or potassium cyanide, washed and put in a rack to dry.  As a protective measure, a finished plate should be varnished with sandrac varnish, which is flowed in the same manner as collodion.  The plate should be heated until hot to the touch; and the historically correct method would be to heat the plate over a kerosene lantern.  Holding the plate over a high wattage hairdryer will also server the puropse.  

 

Quinn Jacobson Demonstrates The Wet Plate Collodion Process   

 

 

Since John’s workshop, I have been gathering all of the equipment and chemistry I will need for long-term use in wet plate photography. Aside from camera and lenses, for which I am still in the market, the most basic choice that remains is what type of darkbox design to use.  There are many different and innovative approaches to constructing darkboxes for field use.  Some wet plate artists who work in very large plate sizes have gone so far as to retro fit a horse van with all of the amenities they need (it will be a long time before I contemplate such a scale).  Others have made darkboxes out of gatorboard or even cardboard.  It need not be elaborate as long as it is light-tight and provides ample working room.    

Quinn Jacobson has recommended a wet plate photographer in Rochester, Steve Silipigni, who makes a custom darkbox mounted on a table stand with a sunken silver nitrate box (photos below); and I have decided to order one from him.   

 

Portable Darkbox Designed by Steve Silipigni

Portable Darkbox Designed by Steve Silipigni. Photo - Quinn Jacobson

 

Darkbox Interior View - Note Silver Nitrate Tank To The Left

Darkbox Interior View - Note Silver Nitrate Tank To The Left. Photo - Quinn Jacobson